{"id":1402,"date":"2012-11-12T16:29:05","date_gmt":"2012-11-12T16:29:05","guid":{"rendered":"http:\/\/www.lapermanente.it\/?p=1402"},"modified":"2012-11-12T16:29:05","modified_gmt":"2012-11-12T16:29:05","slug":"from-bacon-to-beatles","status":"publish","type":"post","link":"https:\/\/www.lapermanente.it\/en\/from-bacon-to-beatles\/","title":{"rendered":"From Bacon to Beatles"},"content":{"rendered":"

From Bacon to Beatle<\/strong>
\n New images in Europe in the years of rock.<\/strong>
\n16th November 2011 \u2013 8th January 2012<\/em><\/p>\n

–<\/p>\n

The exhibition From Bacon to Beatles. New images in Europe in the years of rock is organized by Societ\u00e0 per le Belle Arti ed Esposizione Permanente in Milan with Chiara Gatti and Michele Tavola\u2019s curatorship and today it shows for the first time the history of figurative research that, between 1950s and 1960s, stemmed from Giacometti\u2019s teaching, from Bacon and from other great masters of the age. The research was celebrated at that time by the great exhibition New Images of man mounted at Moma in New York in 1959 and it stood out for very different results as regards the ways of a certain realism of social inspiration, mixing suggestions of expressionistic nature with languages often between informal and pop.
\nThe path, which is the reflection of a new man\u2019s existential situation and at the same time of a climate rich in changes like that of the fabulous 1960s, wants to bring the atmosphere in those days back through a group of 70 works, among sculptures and paintings, often large-sized, lent by Italian and foreign public and private collections that have to be admired \u2013 on the occasion \u2013 armed with headphones and with background music linked to the sound revolution that acted at the same time of the aesthetic one.<\/p>\n

Ideally included between an historical antecedent linked to the first studies on the shape made by Giacometti and 1968, breaking year that inaugurates a completely new socio-cultural cycle, the path of the exhibition analyzes the authors\u2019 research who shared a similar attention for the optic stratification of the reality with the historical masters, among whom there is Bacon, but also Dubuffet, Appel or Ces\u00e0r: memory layers that are added and superimposed in the work exposed, in which visions, places, objects and bodies are overlapped \u2013 sometimes at a fast pace. In this context appears the idea of the \u201cstory\u201d, that is the inner relationship among the images, almost to evoke a narrative and emotional situation collected by exponents of different trends and active in every corner of Europe. Starting from Hamilton, Hockney Blake\u2019s Great Britain; this last author created the famous cover of Sgt. Pepper\u2019s, made thank Paul McCartney\u2019s suggestion and winner of Grammy Award for the best album cover in 1968 (acquired by Permanente in its collections on the occasion).<\/p>\n

Then, from Err\u00f2, Arroyo or Samuel Buri\u2019s France, but with respect for the Italian history, from Schifano to Adami, from Romagnoni to Baj. The Italian affair lived in close relationship with the European breathing movement (widely represented in the exhibition) saw the historical Lissone\u2019s Prize as important showcase that, between 1946 an 1967, was advantaged observatory of the news developing in the international art world. Finally an example of Richard Hamilton\u2019s series of Swinging in London presses, inspired by the merchant Robert Fraser with Mick Jagger\u2019s arrest for possession of drugs, is not to be missed. Hamilton some other times connected his name to the musical scene of the age because of the friendship with Paul McCartney and the creation of the cover of the Beatles\u2019s White Album, published in November 1968. 1950s mark a revolution in the figurative art and make the critics speak about New Image and Nouvelle Figuration, so both in the new and in the old world breaks a great sound revolution out that is parallel to the visual one.<\/p>\n

So the expositive path will be accompanied by musical fascinations mixed with comments on the works exposed, thank the audioguides created by Storyville, in a travel included between the Elvis Presley\u2019s debut, who recorded his first tracks for Sun Records in 1954, and the publication of Let it Be, last Beatles\u2019 album, who broke up in 1970.<\/p>\n

It was the art of that period, among the works of this exhibition and the songs published in the same years there is a clear emotional and sentimental relationship. Looking at these masterpieces exposed on this occasion listening to the same songs listened in the years in which the pictures and sculptures were created, is the best way to explain, more than the words of every critic, and it produces unrepeatable emotions. The exhibition is accompanied by a catalogue edited by Skira Editore, in which there is every work exposed in the exhibition.<\/p>\n

\n
info<\/h6><\/p>\n

Opening
\nTuesday 15th November 2011 18.30 h
\nPermanente\u2019s building<\/p>\n

Press review
\nTuesday 15th November 2011 11.30 h
\nPermanente\u2019s building<\/p>\n

Opening times
\nFrom Tuesday to Friday 10.00-13.00 and 14.30-18.30;
\nOn Saturday, Sunday and on public holidays 10.00 \u2013 18.30;
\nClosed on Monday, on 24, 25th ,26th and 31st December 2011, 1st January 2012<\/p>\n

Ticket
\n\u20ac6 full price; \u20ac4 reduced price \u2013 audioguide included<\/p>\n

<\/div><\/div>\n
sede<\/h6>\n

Permanente\u2019s building, via Filippo Turati 34 Milano<\/p>\n

\u0003Under the patronage of:
\n\"\"<\/p>\n

information
\nphone: 02 6551445<\/p>\n

catalogue
\nSkira Editore
\n

<\/div><\/div>
\n
<\/p>\n

Press office Societ\u00e0 per le Belle Arti ed Esposizione Permanente
\nCristina Moretti | phone: 02 6551445 | ufficiostampa@lapermanente.it<\/p>\n

Press office exhibition
\nStudio de Angelis | phone: 02 324377 | 02 3270133 | stampa@deangelispress.it<\/p>\n

Press office Skira Editore
\nLucia Crespi | phone: 02 89415532 | lucia@luciacrespi.it<\/p>\n","protected":false},"excerpt":{"rendered":"

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